The Hard Corps
(Working-title)
 
Amid the sea of sit-coms, forensic police procedurals and reality television, The Hard Corps represents a groundbreaking new concept for a television series.
 
The Hard Corps will examine the international media, aid-workers, the United Nations and the policy-makers – as a dark comedy with a dash of reality thrown in.
 
The Hard Corps is a post-modern M*A*S*H -- as if elements of M*A*S*H were actually shot in Korea of the 1950’s, and Hawkeye and Trapper’s comedic banter was grounded in current events.
 
 
Virtually no one since M*A*S*H has tapped into the vein of absurdity to truly capture what it’s like to work in the developing world – where aid-workers and journalists develop dark humor like antibodies to combat the tragedy, poverty and mayhem around them.
 
Previous efforts by television to tackle the aid and journalism worlds have been both too James Bond and too noble - most recently, “The Philanthropist” - clearly a manifestation of the view-from-LA.
 
 
The reality is more often grounded in farce – not nobility. Reality is when the press corps outnumbers the protesters outside an embassy, but everyone acts like they’ve got a “scoop.” Reality is when aid-groups lock horns in do-gooder turf wars.  And reality is when one of the UN’s own septic tanks causes a cholera outbreak in Haiti. (Allegedly, they say.)

Our characters exist across the spectrum of personalities to show up in developing world crises: save-the-world-peacenik, adrenaline-junkie journo, wanna-be journo, career-humanitarian – at the same time, each with their own commitment to doing the work they do. 

•	Like Entourage, our characters will be consumed by storylines to do with their own sex  lives and careers.  

•	On the other hand, The Hard Corps will take its actors to disaster or post-conflict zones all over the world to interact with real aid-groups and journalists to reveal what really goes on when war or catastrophe strikes - and the world just wants to help. 

•	The Hard Corps also allows real figures to do a guest-spot on the show.  Like Aaron Sorkin arguing with Jeremy Piven’s Ari Gold on Entourage, Al Gore talking environmental policy on Saturday Night Live, or Brian Williams appearing on 30 Rock, The Hard Corps offers public figures -  be they media, UN staffers, or for example a Bill Clinton – the chance to articulate their goals or to poke fun at their own image.  

Picture it: Anderson Cooper could make fun of himself by insisting he’s not jealous that his CNN colleague Sanjay Gupta did neurosurgery in Haiti – really, he’s not. 

The notion that a US audience cannot possibly care about what happens overseas is an anachronism. In our media saturated world, Darfur has come and gone as a cause-celebre. Starbucks boasts of its responsible entrepreneurship through coffee beans. Facebook groups are set up to save Burmese monks. You can text Bill Clinton $10 to save Haiti.  Hang on -  that was last week. This week it’s Pakistan.

The goal is to produce a comedy – not a social studies lesson, and not a weekly plea to give money to the latest crisis or disaster, which may or may not disappoint George Clooney. 

But much like M*A*S*H skewered some of the misguided policies of the Vietnam War (while posing as Korea,) humor can, counter-intuitively perhaps, be used to comment on - and bring about a greater understanding of - some of the realities of our globalized culture in a way that has not been done before.

A treatment for a sample episode of The Hard Corps is available upon request.  Email mpnunan@gmail.com.





US Copyright Office file number: 1-330574891

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